Archive for the ‘On Writing’ Category

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 Early this morning, I began a post about writers.  All the different types of writers, and all the different types of writing those writers do.  It was a post about seeking and receiving advice and the cautions required because no great advice is one-size-fits-all.

 

I wrote about nine pages and hadn’t yet completed my case for my position.  I’m chuckling here because I had to write to my position to discover it.  (Funny how writers do that, isn’t it?  Write to positions, solutions, ideas.)

 

Anyway, I decided that was ridiculous.  What I needed was a succinct post that cut through the clutter, so here it is:

 


Advice is good or bad depending on the advice and how it is viewed.  If you look at it through your personal prism and the result is constructive, then it’s good advice.  If  viewed through your personal prism and the outcome isn’t constructive, then it’s bad advice—for you—at this time.

 

That’s the thing.  Change is constant.  So advice given today might be lousy for you, but later, it could be terrific.  Or good advice today could be lousy for you a week, month or year from now.

 

Bluntly put, advice is like opinions.  Everybody has one.  And pretty much everybody is willing to share it.  The art of advice comes not in the giving but in the receiving. 

 

When you receive advice, if you view it in general terms, it’s apt to be far less valuable to you personally than if you view it specifically as it applies to you, your work, your career, your current situation, and your current circumstance.  There are a lot of shades of gray in that prism, and they need to be your shades of gray.

 

The bottom line is we should seek wise counselors.  We don’t all have to step in the same mud puddles to know that if we step in, mud will squish between our toes.  But once we’re given wise counsel, then we must determine whether or not we want or need that mud.  That’s a singular decision, one specific to each of us.

 

There is no great one-size-fits-all advice that extends beyond reason and common sense.  We write.  We write for different reasons, with different expectations, motivations and goals and purposes.  We are guided by different standards, principles, and we each have our own list of must-dos and must-never-dos–don’t want to dos are in there, too.

 

What one-size-fits-all advice can be best for any of us knowing that?

 

It can’t.  And the reason why not is simple.

 

There is no great one-size-fits-all advice because there is no one-size-fits-all writer.

 

Blessings,

 

Vicki

© 2012, Vicki Hinze

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 I had a heavy schedule set for the day.  Hey, it’s softball season and we have two angels on different teams and that makes for a lot of time at the ballpark (which I LOVE).  Extra-heavy work on non-game days is fine by me.   But this morning, I got a simple query from my editor regarding the comma—as in, does it stay or go—in the title of my new series and in the text where the agency name is mentioned.  Both happen to be the same:  Lost, Inc. (or Lost Inc.) depending on . . .

 

Well, discovering the answer to the “does it stay or go” question took a little time.  At one time, that comma was typically inserted.  Now, according to a variety of style manuals, it’s typically omitted for “stop-less” style preferences.  But—and here’s the kicker that will make writers nuts—it’s customary to follow the owner’s legal name in creative style.

 

So if Lost Inc. were a real company, then it’d be Lost Inc.  Or if it were a real company and it opted for Lost, Inc. legally, then it’d be Lost, Inc.  But there is no legal guidance in an imaginary corporation or its legal name.  It has none, discounting the author’s imagination.

 

Mmm.

 

And what of the name of the agency?  Is it Lost, Inc. or Lost Inc.?  Well, looking at the style books, it’s pretty much up to the author and whether or not s/he wants to stick with the traditional or adopt the new stop-less style.

 

One entry suggested dropping the period after Inc. as well.  I cruised right by that—I have enough conflict on the comma.  No way am I adding the period to it.  And another recommended dropping the Inc.  so that Lost, Inc. or Lost Inc would become simply Lost.

 

Interesting tidbit of information I ran across:  Did you know that Wal-Mart refers to the corporation and Walmart refers to a specific Wal-Mart store?  True.  But even Wal-Mart (or Walmart) uses both referencing both.

 

It’s a punctuation world gone mad. <g>

 

Mmm.  So what do I do about this dilemma?

 

There are benefits in adoption that stop-less style.  When a reader comes to a comma, s/he mentally pauses.  Having an additional pause every time the agency’s name appears can wreck the rhythm and that can create challenges with pacing.

 

On the other hand, if readers expect to see that comma there and don’t, every time the agency’s name appears without the comma, the reader is going to mentally note it.  That means s/he is going to be reminded s/he is reading.  A lot of breaks in the fictional dream, reminding the reader s/he is reading is not a good thing.

Since it appears to come down to the owner, which in this case would be me, the author, I have to ask which best serves the book?

 

Mmm.

 

Honestly, I’ve read the book so many times now, I can’t tell how big a deal the rhythm thing is now.  I looked at the pinterest board I created for this series to see what I’d done there.  True to the dual fish, I swam both ways.  Had some notations with the comma and some without it. Same thing on the private site.  Obviously, at least in the text (readers are more forgiving in titles), there must be consistency.  So which shall it be?  Does the comma stay or go?

 

I don’t know yet.

 

By this point, I’d have to be dead from the neck up to know I’m not the best judge on this. The publisher does have a style preference, of course, but having received the query, my guess is they have the dual message research netted me, which drops me right back into the “you decide” position.  Still, the publisher might have an adopted preferred position so I emailed all the citations to my editor, admitted I’d read the work so much I can’t tell how bad those stumbles on the comma or its absence would be for the reader anymore, and asked for her opinion.  She’s a sharp cookie, and I trust her.

 

The moral of the post is that punctuation matters.  If you think all this hoopla is an overreaction, consider a pin I saw the other day:

 

“Let’s eat, Grandpa.”

“Let’s eat Grandpa.”

 

I’d say a comma matters a great deal, especially to Grandpa!

 

So there are times a comma can kick your can.  When it does, what best serves the story is to let it—and get advice from one not yet as saturated and steeped in the work.  It might be hard to get your ego out of the way, but the truth is a fresh eye and inner ear can best serve your story.  And that is the ultimate objective.

 

My instinct is to omit the comma.  Breaking that fictional dream now and then is bad.  Breaking it often is asking for hurl-the-book-in-frustration trouble.

 

Now remind me I said that when I start getting letters from readers saying my book is full of errors because the comma’s been omitted . . .  if it is omitted.  My ego versus best serving the story—it’s not even a competition.  I’m seeking wise counsel on this one.

 

Which means the case of the questionable comma is not yet solved.

 

And the only thing I feel safe to say at the moment is that my schedule for today is shot.   Well, that’s not true.  It is shot, but there’s another thing I feel safe to say now.  I’m going to think twice before titling a series with an Inc. again, even though I’m more than a little fond of it.

 

Blessings,

 

Vicki

©2012, Vicki HInze

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Not long ago, I started a group blog, Christians Read.  It’s a place where authors and readers discuss faith-affirming fiction and non-fiction, and daily life.  We’ve got a great group of authors participating (a list follows)  You’re welcome to come chat with us on the ChristiansRead site or on our Facebook page.

Christians Read Authors:  Hannah Alexander, Julie Arduini, Sarah Goebel, Elizabeth Goddard, Vicki Hinze, Maureen Lang, Yvonne Lehman, Kathi Macias, James L. Rubart, Lynette Sowell, Camy Tang

 

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Writer-to-Writer Questions about Facebook

I’ve been on deadline–still am on, though now on a different book–hence not posting as much as usual.  But I’ve gotten a cluster of questions from you, so I thought I’d address them here.  They’re all questions on writers and Facebook.
Q.  Which is better for a writer:  a personal account or a Facebook page?

 

A.  There are advantages and disadvantages to both.

 

On a personal page, you are limited to 5,000 “friends.”  The personal page is designed for personal use and not professional use.  So if the focus of the page is about you, the writer, and the books you publish, using a personal page for this purpose is a violation of the terms of service.  That can result in your account being closed/deleted.

 

Now if this personal account is about you, the human being who is a writer and you’re interacting on a multitude of things and occasionally post about your book and/or writing, that’s normal conversation and a case can be made on that.

 

Facebook has a “subscriber” status also.  Which means after you max out the 5,000 friends, others can subscribe.

 

You have the ability to message each individual, but not the ability to send one message to all friends and subscribers at once.  That can be problematic.

 

The Page option is the appropriate place to have your writer’s account.  There, you can talk about your books, writing, and you can message everyone at one time for major events.  Obviously, you don’t want to overuse that and fatigue those who “Like” you.

 

Pages have applications available for use that are beneficial to writers also.  Feed in your blog and add other pages.  For example, you might have a “LIKE GATE.”  This is a special page that those who have not already liked your page “land” when they come to your page.  It typically has a nice welcome message and maybe some books, and invites the person to “Like” your page.

 

Readers are not overly fond of Like gates.  Typically, they click not on like but on the wall tab to go directly to the wall.

 

Remember that people on Facebook aren’t interested in watching commercials.  They’re there to be social and to interact.  The place they go to do it is the wall.

 

Now on these other pages, you might put coming releases, or new releases, or your YouTube channel or various other things.  There are a variety of apps available for this.  I have some of these pages on my vicki.hinze.author Facebook page.

 

I also asked visitors to my page for feedback.  They’re terrific about answering questions for me and I really listen to what they have to say.

 

The majority of them do not visit the other pages.  They visit the wall..  They’re there to see what’s up and to see what subject we’re discussing today.  They enjoy the informal chatting.

 

There are good lessons in that for any who care to hear them.

 

So the answer is it depends on what your purpose is for the page.  If it’s about your books and writing, go with a Page.  If it’s to interact with friends and family, and you want to message individuals and get messages from individuals, then go with a personal account.

 

I have both because I do both on Facebook.

 

 

 

Q.  Can I make someone else an administrator on my Facebook account?

 

Yes, you can.  Many writers have an assistant who helps them with their accounts.  Understand that when you do this, you should be judicious.  (Read that paranoid.)  Why?  Because it is your account and you’re responsible for what happens on it.  You will be held accountable.  A trusted assistant, okay.  Others?  Mmm….

 

At one time, as the account owner, you could limit another administrator’s access to specific parts of your Facebook account.  Now, an administrator has full access.  So that individual can data mine, alter, change, delete or add anything of his/her choosing at will—including your actual account or that that which violates the terms of service, for which you will be held accountable.  So by giving unfettered access to another, you could do nothing further and still lose your account.

 

Most developers of apps and such don’t ask or want to be administrators anymore.  They’ll send you the information and instructions to use their apps but they don’t want to be added as an administrator on your account.  Frankly, they don’t want the liability

 

So, can you have someone else as an administrator?  Yes.  Should you?  Only you can decide that, but writer-to-writer, my advice is to be extremely prudent.  (Read that paranoid, too.)

 

 

 

 

Q.  How can I get people to “Like” my page?

 

Well, some say to take out ads.  I’ve done that, but with mixed results.  You see, it’s not quantity you’re after; it’s quality.  You want people to visit your page who actually want to be there.  People who are interested in what’s going on, in the conversation.  You want to welcome people into your writing world, of course, but by engaging them in the things they want to engage in.

 

If the numbers are empty, they’re of no value to you.  Your interest needs to be in the people behind the numbers.  Are you interested in them?  In what they think?  In their lives?  Do you hard sell your visitors or chat with them?  Which would you rather do—from the receiving end?  See what I mean?

 

Do you visit other people’s pages?  Leave comments and engage in their conversations?  Do you show your interest?

 

Being genuinely interested in others does build your numbers.  It’s a slow process because you’re building organically.  But I’ll tell you something.  I’d rather have a small number of organic “Likes” on my page than enormous numbers of people just there that I don’t know.

 

A conversation or engagement has two sides:  Listening and chatting.  And, while I can’t speak for anyone else, I can tell you for fact, there are some amazingly interesting, resilient and smart people who hang out on my page.  We’re apt to talk about anything—and we do.

 

I have a few rules and everyone knows them.  Say what you will, provided you treat everyone with respect.  No foul language.  And say nothing you wouldn’t say in front of a teen because odds are good you are.  (I mentor minors and they join us on the page, too.)  That’s about it.  So we have a broad canvas of discussions.  Some are funny; some are serious.  We talk life, death and universe stuff all the way to everyday everything.  I’m interested.  They know it.  And it’s fun.

 

So I hope that’s helpful advice because it might be your approach that’s problematic.  If you’re just pushing people to buy your book, that’s a problem because there’s nothing social in it.  If you’re holding contests for those who like your page—well, you shouldn’t be.  Facebook doesn’t allow that anymore, though I do occasionally see where a contest is being held with a disclaimer that Facebook is in no way involved.  The most I personally do on that is link to another site where one of my contests is being held, and there’s not a condition on entering.  Everyone is welcome.

 

To me, the best way to build your list is to engage.  That takes time, but it’s organic and authentic, and it’s fun.

 

 

 

Q.  I don’t like the TimeLine.  Can I keep my old format?

 

Last I heard, going to Timeline was compulsory.  So unless there’s been a recent change on policy, you’ll have to switch over.  I will say to try to make the switch with grace because it’s healthiest for you not to stress out over this stuff and to hang on.  Facebook is constantly changing and evolving.  Odds are good they’ll make changes you like—probably just about the time you learn to use the system in place. J  That’s what typically happens on everything, isn’t it?

 

 

 

Q.  I migrated to a Page from a personal account and I don’t like it.  Can I migrate back?

 

I feel your pain.  I understand your desire.  I share it.  As of a few months ago, no, you couldn’t migrate back.  You could open a new personal account and start over.  Unless something’s changed, well, read the response about grace and hanging on in the question above.

 

 

Q.  I want to do a Facebook Ad.  What’s the difference in impressions and clicks?  And do I have to bid the minimum they recommend?

 

An impression is where an image of your ad shows up elsewhere on Facebook.  Theoretically, it means that others have had an opportunity to see your ad.

 

Clicks are when someone sees an impression of your ad somewhere on Facebook and actually clicks on the ad.

 

You bid what you choose to bid.  The recommendation tells you what they suggest you bid to secure the service of them running your ad.

 

Also, just to be sure you’re aware of it, you can set a daily budget on your ad.  It’ll appear until whatever amount you’ve budgeted has been used.  When that’s done, it stops appearing until the next day.

 

Also be aware that Facebook has a really good help section with a ton of information in it.  There are guides and tips on successful ads and a lot of insightful information that can help you get the best return on your investment—whether that’s time or money.

 

If you look on the top of your page, next to “Home,” you’ll see a down arrow.  If you click on that, a drop down window appears.  At the bottom of it, you’ll see Help.   Just click there.

 

I highly recommend you take a few minutes and just look around and see what all is there.

 

Also, visit pages and see which ads draw your eye and attention.  Which ones you click on, or you fail to notice.

 

If you’re going to spend your money on this, then do a little research to determine what works well for you.  Odds are good that will be the case for others, too.

 

 

Blessings,

 

Vicki

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A SPECIAL NOTE ON ONE WAY TO WRITE A NOVEL

 

A short time ago, a reader informed me she had problems with her copy of ONE WAY TO WRITE A NOVEL.  We checked on it and the file was corrupt.  I have no idea why.  But I figured since I was going to have to read it again anyway  and to have edits done, I might as well update and expand it.  So I have.  It’s at Kindle now.

I’ve emailed Amazon about sending copies of the 2nd Edition out to all who bought the first.  Waiting to hear back from them on that, but you’ll either get a note from them or I’ll let you know how we’re going to fix this.

Hope you enjoy the updated version and sorry for the inconvenience.

Blessings,

Vicki

 

 

 

 

 

 

 

A MASHUP Note

Mar
2012
05

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A note to those who have gotten ONE WAY TO WRITE A NOVEL.

Yesterday I learned that the Kindle file for this book is corrupt. I’ve pulled it until it can be overhauled and re-uploaded. If you’ve previously downloaded a copy, you’ll be able to get the new copy when it’s back online. It’s going to take a bit of time because I’m under heavy commitments right now and so is the editor. I’ll post again to let you know when it’s available again.

I’m not sure what happened, but it did. The important thing to me is that you know the problem is being addressed. Of course, I hope you’ve not been inconvenienced.

ON NOT THIS TIME.  

I’m dancing on the clouds this morning.  Joy H. for Readers Favorite gave NOT THIS TIME a Five Star Review.  You can read it HERE.

 

 

ON BEYOND THE MISTY SHORE

Kindle has this, the first book in the Seascape trilogy on sale for $1.99.  That’s over a $12.00 savings.  I’m not sure for how long–I just ran into it–but wanted to pass it along.  You can find it HERE.

 

 

 

 

SERIOUSLY WRITE chat with DAWN KINZER

Recently Dawn Kinzer at Seriously Write and I chatted writing.  If you’d like to eavesdrop, you’re certainly welcome to do so.  You can find the chat HERE.

 

Blessings,

Vicki

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This Saturday, I’ll be doing an all-day writers workshop with Kathy Carmichael, DE4EO Agent, Joyce Holland and Jan Whitford for Emerald Coast Writers, Inc.  The theme for the day is:  GET PUBLISHED IN 2012.

To get specifics on the workshop visit HERE.

The event is being held at Marina Bay Resort in Fort Walton Beach, Florida.

My topics are Traditional Publishing:  What You Need to Know and Social Networking, Networking, and Credits.

Hope to see some of you there!

Blessings,

Vicki

 

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I had the distinct honor of being interviewed by Piper Bayard and Holmes and Daisy the Love Pooch (Piper is Daisy’s pet human).

The interview can be read HERE.

You can follow Piper here:

 

What a treat to get to be helicoptered to the cave for it.

Blessings,

 

Vicki

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A Note to My Readers:

On February 21, 2012, NOT THIS TIME, the finale in the Crossroads Crisis Center series is being released. To celebrate, I’m holding a CONTEST for an autographed copy of the novel and a diamond necklace. Be sure to enter! You can do so HERE.

Preorder the Book HERE.

Enter the contest HERE.

Read the first chapter HERE.

Get the Readers Group Guide for your book club HERE.

View the book-trailer HERE.

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Inspire Me! Part 1: When You Get Knocked Down

Inspire Me! Part 2: What to Write

Inspire Me! Part 3: Distractions

Inspire Me ! Part 4: Must Dos

Inspire Me! Part 5: Things Out of Your Control

Inspire Me! Part 6: Naysayers

 

 

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This is INSPIRE ME!, Part 3 and focuses on Distractions.

 

INSPIRE ME!, Part 3;  Distractions

 

Coming next is:

INSPIRE ME!, Part 4:  MUST DOS

Blessings,

Vicki

_________________________________________________________________

A Note to My Readers:

On February 21, 2012, NOT THIS TIME, the finale in the Crossroads Crisis Center series is being released. To celebrate, I’m holding a CONTEST for an autographed copy of the novel and a diamond necklace. Be sure to enter! You can do so HERE.

Preorder the Book HERE.

Enter the contest HERE.

Read the first chapter HERE.

Get the Readers Group Guide for your book club HERE.

View the book-trailer HERE.

__________________________________________________________________

Inspire Me! Part 1: When You Get Knocked Down

Inspire Me! Part 2: What to Write

Inspire Me! Part 3: Distractions

Inspire Me ! Part 4: Must Dos

Inspire Me! Part 5: Things Out of Your Control

Inspire Me! Part 6: Naysayers

 

 

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This is the second part of the INSPIRE ME! series.  This post focuses on Things Writers Should Ignore and What to Write.

 

INSPIRE ME!, Part 2:  What to Write

 

Coming next is:

INSPIRE ME!, Part 3:   Distractions

Blessings,

Vicki

_________________________________________________________________

A Note to My Readers:

On February 21, 2012, NOT THIS TIME, the finale in the Crossroads Crisis Center series is being released.  To celebrate, I’m holding a CONTEST for an autographed copy of the novel and a diamond necklace.  Be sure to enter!  You can do so HERE.

Preorder the Book HERE.

Enter the contest HERE.

Read the first chapter HERE.

Get the Readers Group Guide for your book club HERE.

View the book-trailer HERE.

__________________________________________________________________

Inspire Me! Part 1:  When You Get Knocked Down

Inspire Me! Part 2:  What to Write

Inspire Me! Part 3:  Distractions

Inspire Me ! Part 4:  Must Dos

Inspire Me! Part 5:  Things Out of Your Control

Inspire Me! Part 6:  Naysayers

 

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Interviewing Tip:  Focusing Your Remarks

© 2012, Vicki Hinze

 

As a writer, you’ll be asked for interviews in a variety of mediums.  Some will be for radio, others for television, and many requests will be for articles that will appear in written format.  That makes for a diverse audience.

 

Today, writers often are interviewed by bloggers, and that’s the focus of this tip.

 

Before you tackle the questions the blogger asks, visit the blogger’s site.  What is itss focus?  Who are its readers?  Are the majority of its readers writers or readers or mothers or activists in a subject you’ve addressed in your book?  What can you share that is most apt to be of interest to them?

 

The reason this is vital is that you want to speak with the blog’s readers.  If those readers aren’t, let’s say, writers, then responding to the interview questions in writer’s speak is going to be dull and uninteresting to the readers.  If the blog readers are writers, then odds are they’ll enjoy writer viewpoint responses to the questions posed.

 

Think of the interview as an opportunity to interact with this group.  Respect the group enough to get a grip on what its members expect and then respond honestly in ways that exhibit your awareness and your respect for those readers.

Interviews are not one-size-fits-all.

Blessings,

Vicki